Due to the 'Acharya' corona epidemic that engulfed Srikaram in October 2019, the dates were finally changed and finally released today.
The song 'Lahe Lahe ..' became a super hit many months before its release and also became a musical hit.
Above all else the trailer that Kathemito unknowingly cut also heightened the curiosity about what was going on in the movie.
Versace brought the movie to movie theaters.
Let’s get into the matter now.
The best story is the one that gets stuck in the story world without turning its head. Otherwise the best story will be told.
The whole difficulty is in vain if you compromise on the huge setting, the impressive camera work, the graphics, the storytelling that the cast does.
A new point in the story, an interesting opening, the introduction of the characters, the problem, the solution, the unexpected turn ... the story of the film must be carefully weighed in every aspect.
There was a blow near the first point. There is nothing new in the story. No lightning in the article. Everything happens as expected and is boring.
Chiranjeevi's movie is what the audience especially wants, Mass Elements, Energy. "Prisoner 150" played as they were. Without them, "Saira" would have failed. But as a historical film, Castina gained respect.
This "professor" situation is not like that. This is a fictional story. I can take the story to any level with imagination and build blood. But none of that exercise happened. The film manages to entertain as well as inform.
Unnatural background, stupid villains, unnatural dialogues, confusing unknown story for a long time, music heard in the style of two decades ago ... the film gave a big shock to the Versace audience.
Is there anything great that can be said about the 67-year-old Chiranjeevi looking and dancing like that? Needless to say it was really a surprise. Grace is especially prominent in Chiranjeevi dances. It does not appear in any other hero dance. Keeping that grace intact for decades is truly a testament to his hard work and accomplishment.
The next thing to note is Art Direction. The director wanted a very solid village set.
Everything else except them is dull.
Become a lyricist yourself It is no surprise that not a single dialogue of the struggles can be written as powerful. Even written dialogues are not natural unless there is artificiality in the way they are told.
Chiranjeevi found the use of graphics difficult. However, in one episode in the second half, he tried to show Young Chiranjeevi by using too much graphics. In the serious scene it didn't help the flow unless it became ridiculous.
There is no big variation even for the character of Ram Charan. Chiranjeevi does the same in the first half and Ram Charan does the same in the second half. There are no wonderful elements in the character, in the acting, in the dialogues.
I do not even understand why Pooja Hegde's character. She is a character who has no weight and is not useful for the story.
Sonu Sood, Kishore, Jishu Sen Gupta, Sourav Lokesh ... all these villains have portrayed an age old villain who wants to hit the jungle and set up an industry. Want to see more of this template ?! Being villains in piles rafts does not get the emotion that the hero gives to anyone.
Manisharma's music was loud but did not work as a mantra to cover the delusion in the narrative.
The Lahe Lahe hit in the songs was unimpressive on screen. One or two steps in the Banjara song sounded good. Nilambari song is not impressive. Chanakashtam has a problem with song placement. That's why the song is not entertaining but it's like stones under a tooth.
The reason why the two heroes' fight is said to be late but it is difficult for the audience to connect due to the lack of strength in that reason.
It is enough if Chiranjeevi and Ram Charan appear on the screen ... it is the situation of the fans who adore that whatever they do is pleasing but ... the audience who wants novelty, sense, sensibility and entertainment will be left disappointed.
"Even if the lessons are not told, I am called Acharya. Maybe I will teach the lessons." It would have been nice if the Chiranjeevi community had done more work on the story without stepping into the field as the father and son had the opportunity to act together.
Bottom line: Lesson learned
Due to the 'Acharya' corona epidemic that engulfed Srikaram in October 2019, the dates were finally changed and finally released today.
The song 'Lahe Lahe ..' became a super hit many months before its release and also became a musical hit.
Above all else the trailer that Kathemito unknowingly cut also heightened the curiosity about what was going on in the movie.
Versace brought the movie to movie theaters.
Let’s get into the matter now.
The best story is the one that gets stuck in the story world without turning its head. Otherwise the best story will be told.
The whole difficulty is in vain if you compromise on the huge setting, the impressive camera work, the graphics, the storytelling that the cast does.
A new point in the story, an interesting opening, the introduction of the characters, the problem, the solution, the unexpected turn ... the story of the film must be carefully weighed in every aspect.
There was a blow near the first point. There is nothing new in the story. No lightning in the article. Everything happens as expected and is boring.
Chiranjeevi's movie is what the audience especially wants, Mass Elements, Energy. "Prisoner 150" played as they were. Without them, "Saira" would have failed. But as a historical film, Castina gained respect.
This "professor" situation is not like that. This is a fictional story. I can take the story to any level with imagination and build blood. But none of that exercise happened. The film manages to entertain as well as inform.
Unnatural background, stupid villains, unnatural dialogues, confusing unknown story for a long time, music heard in the style of two decades ago ... the film gave a big shock to the Versace audience.
Is there anything great that can be said about the 67-year-old Chiranjeevi looking and dancing like that? Needless to say it was really a surprise. Grace is especially prominent in Chiranjeevi dances. It does not appear in any other hero dance. Keeping that grace intact for decades is truly a testament to his hard work and accomplishment.
The next thing to note is Art Direction. The director wanted a very solid village set.
Everything else except them is dull.
Become a lyricist yourself It is no surprise that not a single dialogue of the struggles can be written as powerful. Even written dialogues are not natural unless there is artificiality in the way they are told.
Chiranjeevi found the use of graphics difficult. However, in one episode in the second half, he tried to show Young Chiranjeevi by using too much graphics. In the serious scene it didn't help the flow unless it became ridiculous.
There is no big variation even for the character of Ram Charan. Chiranjeevi does the same in the first half and Ram Charan does the same in the second half. There are no wonderful elements in the character, in the acting, in the dialogues.
I do not even understand why Pooja Hegde's character. She is a character who has no weight and is not useful for the story.
Sonu Sood, Kishore, Jishu Sen Gupta, Sourav Lokesh ... all these villains have portrayed an age old villain who wants to hit the jungle and set up an industry. Want to see more of this template ?! Being villains in piles rafts does not get the emotion that the hero gives to anyone.
Manisharma's music was loud but did not work as a mantra to cover the delusion in the narrative.
The Lahe Lahe hit in the songs was unimpressive on screen. One or two steps in the Banjara song sounded good. Nilambari song is not impressive. Chanakashtam has a problem with song placement. That's why the song is not entertaining but it's like stones under a tooth.
The reason why the two heroes' fight is said to be late but it is difficult for the audience to connect due to the lack of strength in that reason.
It is enough if Chiranjeevi and Ram Charan appear on the screen ... it is the situation of the fans who adore that whatever they do is pleasing but ... the audience who wants novelty, sense, sensibility and entertainment will be left disappointed.
"Even if the lessons are not told, I am called Acharya. Maybe I will teach the lessons." It would have been nice if the Chiranjeevi community had done more work on the story without stepping into the field as the father and son had the opportunity to act together.
Bottom line: Lesson learned
